Asian Cinemas

A Reader and Guide by Dimitris Eleftheriotis

Publisher: Edinburgh University Press

Written in English
Cover of: Asian Cinemas | Dimitris Eleftheriotis
Published: Pages: 488 Downloads: 352
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Subjects:

  • Films, cinema,
  • Pop Arts / Pop Culture,
  • Film & Video - History & Criticism,
  • Performing Arts,
  • Cinema/Film: Book,
  • Performing Arts / Film / History & Criticism,
  • ASIA,
  • Motion pictures
The Physical Object
FormatHardcover
Number of Pages488
ID Numbers
Open LibraryOL7964138M
ISBN 100748617760
ISBN 109780748617760

Focusing on the best in Asian movie entertainment. Find the latest movie news, movie reviews, fun features and alot more. Founded in , NETPAC is the leading platform to discover, document and promote Asian Cinema. Contribute Cinemas of Asia, the NETPAC journal, welcomes submissions of critical and creative essays, reviews and interviews, and articles on Asian cinema. 2 East Asian Cinemas: Regional Flows and Global Transformations, prefaced by prominent Chinese film scholar Zhang Yingjin, investigates the flow of culture between China, Taiwan, Hong Kong, South Korea, and Japan through 11 chapters. The book opens with an introduction by its editor, Vivian P.Y. Lee, who examines the historical connection Author: Vanessa Frangville.   The academic anthology East Asian Cinemas: Exploring Transnational Connections on Film covers a pan-Asian cinematic output while acknowledging in its introduction that 'Asia' as a concept is "a free-floating signifier - a term the exact meaning of which is not yet settled" [pg 5]; in other words, the culture, history, politics and sense of shared values and .

East Asian cinema is cinema produced in East Asia or by people from this region. It is part of Asian cinema, which in turn is part of world cinema. "World cinema" is used in the English-speaking world to refer to all foreign language films. The most significant film industries that are categorized as East Asian cinema are the industries of Mainland China, Hong Kong, Japan, . With more than a fifth of the world's population, it's not surprising that the nations of the Far East have developed some of the most important cinematic traditions in the history of film. But our American readers are probably much less familiar with the histories of Chinese, Japanese, and. This book is an original volume of essays that sheds new and critical light on current and emerging filmmaking trends and practices in China, Taiwan, Hong Kong, Japan and South Korea. A timely and imp Mobile Genres in East Asian Cinemas. Vivian P. Y. Lee. Pages Screen Cultures and Identity Politics. Front Matter. Korean Reviews Film review: Let Us Meet Now () by Ji-young Boo, Yi-kwan Kang and Seo-yoon Kim Film Review: The Battle: Roar to Victory () by Won Shin-yeon.

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The fascination with Asian cinema must be examined in the context of a complex and often problematic relationship between western scholars, students, viewers and Asian films. This book, therefore, examines a number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films.

Asian Cinema is a good quick read that discusses the highlight films of Asias varied national cinemas, as well as providing a bit of cultural and historical context behind the film industries of Asia/5. Asian Cinema: A Field Guide is the first book to provide a complete overview of the past, present, and future of the world's most dynamic and influential filmmaking region.

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Get this from a library. Asian cinemas: a reader and guide. [Dimitris Eleftheriotis; Gary Needham;] -- A number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema and Hindu melodramas) are examined in order to investigate the limitations of Anglo-US theoretical.

The Chinese Cinema Book provides an essential guide to the cinemas of the Peoples Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day.

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Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as art house, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes.

This book explores developments in the global popularity of East Asian cinema, from Chinese. This volume examines the transmission, reception, and reproduction of new cinematic styles, meanings, practices, and norms in early twenty-first-century Asia.

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